Oscar Noms!

We're such movie geeks that we actually set the alarm 15 minutes early, this morning, so we could watch the Oscar nominations announced live before Tim headed to work. I'm thrilled my favorite film of the year, The Grand Budapest Hotel, was nominated for Best Picture (in addition to a slew of other categories) and was happy to see that two other faves, the brilliant Birdman and amazing Boyhood, were also recognized. Fingers crossed that Michael Keaton wins Best Actor. 

Now we need to catchup on the handful of nominated movies we haven't watched yet. I bet Tim is sorry he didn't see Whiplash with me when he had the chance. You know where you can find us on February 22: glued to our TV set, watching the Academy Awards ceremony and cheering.

Happy New Year!

Tale of Two Bridges

I've been a fan of the Bridges brothers and their father for as long as I can remember. Tim and I both grew-up watching Lloyd Bridges in Sea Hunt and I've loved Beau ever since his starring role in the film Gaily, Gaily. As for Jeff, we've both seen almost all his movies, but I especially loved him in Starman and the recent True Grit reboot. As you can see below, Tim got to meet Jeff Bridges several years ago when he (Tim) worked for radio station KLOS.

Last night, the Academy of Motion Picture Arts and Sciences honored the Bridges family by interviewing both Beau and Jeff at the L.A. County Museum of Art. I bought tickets as soon as I saw the announcement. The line of people to get in was around the building by the time we arrived, 45 minutes early.

The brothers talked affectionately about their father Lloyd and how both he and their mother encouraged them to go into acting. Jeff apparently tried to resist, but eventually joined the family business in his late teens. He earned his first Oscar nomination at age 22 for his supporting role in The Last Picture Show. 

Film clips were screened, illustrating the breadth of all three Bridges actors. Beau, in particular, seems to have had the most diverse career, playing everything from a lovably grumpy father in the current sitcom The Millers to a repressed homosexual in Masters of Sex. Both brothers talked about their acting process and were surprisingly open about their insecurities. They also praised the women in their lives, thanking them for keeping home life together while they travel for work. "Their names should be right up there in the film's credits!," Jeff said to a rousing round of applause.

The evening ended with the closing scene from their first movie together: the wonderful The Fabulous Baker Boys, about piano-playing brothers who are struggling to stay on the fringes of show biz. The real Baker boys exited the stage to a standing ovation.

Tim and Jeff Bridges in younger days

Academy of Motion Picture Arts and Sciences Library & Archives

As a part-time lecturer at UCLA’s library school, I occasionally get to go on library field trips, usually arranged by the students themselves. Yesterday we toured the Margaret Herrick Library at the Academy of Motion Picture Arts and Sciences, the organization that awards the Oscars every year.

For me, the Academy library has always been my dream job, surrounded by movie memorabilia and answering reference questions all day about film production. But, needless to say, people rarely leave the Herrick once they’re in, so I never even got a chance to apply. Still, touring the facility is better than nothing, especially since the building—a renovated 1920s water plant—is so beautiful.

Amazingly, the Academy’s library and archives are open to the public—scholars and fans alike—though few people get to go behind-the-scenes like we did. Our first stop was the open stacks reading room, where thousands of movie-related books and magazines are shelved for public use. From there we visited the department where clipping files are compiled and kept. Thousands of preservation-quality folders contain ephemera on every movie made or not made, including the fake 1970s film “Argo,” which, of course, served as the basis for last year’s Oscar-winning “best picture” of the same name.

We next toured the special collections, where we saw a fan’s scrapbook about Marlene Dietrich, Christmas cards from Princess Grace and her family, and Alfred Hitchcock’s notes and snapshots of the famous crop-duster scene in North by Northwest. The most exciting piece, by far, was the mane (i.e., wig) Bert Lahr wore as the Cowardly Lion in The Wizard of Oz. The Academy also owns a pair of Dorothy’s ruby slippers, but they’re—understandably—kept under strict lock-and-key.

The Roddy McDowell Photograph Archive was next. Examples from the collection were laid-out on a table for our pleasure, including: a close-up of Nicole Kidman in Moulin Rouge!; the climactic scene from Reservoir Dogs; a young Elizabeth Taylor, when she was the most beautiful woman in Hollywood; and a photo album opened to a series of Polaroids taken of a buff young man posing in jeans, various cowboy hats, and (sometimes) a shirt. Upon closer inspection, I realized these were snaps of Brad Pitt trying on different outfits for his extremely memorable role in Thelma and Louise. (OMG!) Even more surprising: many, if not most, of the Academy’s 10+ million photos are available for purchase through the library’s photocopying service. Indeed, an enormous black-and-white picture of an evening-gowned woman was slowly being reproduced on a huge photocopy machine while we stood there watching.

Our last stop was the poster room, where some 80 thousand posters, costume designs and concept drawings are kept. We were treated to an artist’s rendering of Kirk Douglas in Lust for Life, a fantastical set design from Willy Wonka & the Chocolate Factory, and a drawing of actress-swimmer Esther Williams on water-skis, wearing a yellow one-piece bathing suit and black arm’s-length gloves, while clutching a purse (!). Ah, Hollywood.

At the end of the tour, I asked the librarians who's responsible for compiling the information given to the media during the Oscar awards season.

“We all are!” they exclaimed.

Apparently everyone is impacted by the nominations and awards process. Reference librarians gather data about the films and actors, while the photo archivists choose the best images to represent the nominees. Even the poster department is involved, pulling posters for the numerous screenings Academy members attend before submitting their votes.

“Do you all get together, at the end, to watch the Academy Awards show on TV?” one student asked.

“Well . . .” one of the librarians admitted, slyly glancing at her coworkers. “We all actually go to the ceremony.”

Damn! I knew this was the best job on earth!

The dramatic 1920s tower atop 

the Academy library