Showing posts with label Geffen Playhouse. Show all posts
Showing posts with label Geffen Playhouse. Show all posts

Sunday, December 11, 2011

It's a Wonderful Life




The Geffen Playhouse held a fun holiday-themed fundraiser last night: a live radio-reading of It’s a Wonderful Life, starring four-time Oscar-nominee Annette Bening.  Tim, Karen and I are big fans of Bening’s stage as well as film work, so bought tickets on her name alone; but were even more thrilled when the rest of the cast was announced: Peter Gallagher, Bryan Cranston, Glenne Headly, Marty Ingels, Gregory Itzin, Shirley Jones, Leslie Jordan, Josh Stamberg, and Lorraine Toussaint.  We also knew there was a good chance Annette’s husband Warren Beatty would be in the audience, making the event doubly exciting.

Tim and I are Geffen season ticket-holders this year, so I called the subscriber hotline to get tickets.  I scored third-row seats!  I called Karen with the good news.

“Maybe we’ll sit next to Warren!” I exclaimed.

The play started at 8PM, but an email from the Geffen encouraged us to arrive early to celebrate the holidays.  Sure enough, 1940s carolers were singing in the lobby when we arrived, as people chatted and milled around.  Tim headed straight for the bar.  A woman walked by holding a plate piled high with cookies.

“They’re serving Christmas cookies!” I whispered to Karen before heading off to the right.  There I found a table displaying an assortment of baked goods, including cookies that we could decorate with four types of frosting.  We had, of course, eaten dinner before leaving for the theater, but that didn’t stop us from loading up.  Everyone else had the same idea, because soon the table was mobbed.  We stepped aside and watched as the locusts descended.  We were also on alert for celebrity sightings.

I knew that Warren Beatty would appear as soon as I went to the restroom and, indeed, the first thing Tim said, when I returned, was, “You just missed Warren Beatty!”

“WHAT!!?” I asked incredulously.

“He was standing two feet away,” Tim insisted.  A woman standing next to us confirmed.

“You and my husband,” she said, shaking her head.  Her husband was also in the bathroom.

“Did Karen see him?” I then asked.

“Nope.  She was at the bar getting a soda.”  

I broke the news to her when she returned and then sent Tim off to find Mr. Beatty.  He came back a few minutes later.

“Warren’s on the other side of the lobby!”  

The ten-minute warning lights were flashing as people started pouring into the theater.  Luckily, Warren Beatty is tall, so we could see him above the crowd.  He looked exactly as he looked the last two times I’d seen him: handsome.  We could now find our seats.

We never did see where Warren Beatty sat, but our seats were very good.  Since the play was a live radio-reading, five old-style microphones were setup at the foot of the stage.  The sound effects station was to the left.  Small bistro tables and chairs were arranged in the center for the actors to sit when they weren’t delivering lines.  The rest of the stage was tastefully decorated with huge one-dimensional Christmas trees.  The actors strolled out one-by-one and quietly took their seats while the audience continued to pour in.  At one point, Bryan Cranston walked to the front of the stage, looked at everybody and thoughtfully said, “What a good-looking crowd,” then sat back down.

Like everyone else, we are completely familiar with the 1946 Jimmy Stewart movie It’s a Wonderful Life and so tried to guess, beforehand, who was going to play which role.  We had even speculated that Annette Bening would play a female version of George Bailey, but then abandoned that idea when we saw the lineup of male actors.  Annette ended up playing Mary to Peter Gallagher’s George.  Leslie Jordan was Clarence and everyone else played all the other characters.  There was no intermission, but the acts were broken-up by vintage-sounding radio commercials read by the various actors.

The show was terrific—great performances and it was lots of fun watching the foley artist creating dozens of different sound effects.  We were hoping for more cookies on the way out, but the table was gone.  So instead we left humming “Auld Lang Syne” and looking forward to Christmas with our families.

Thursday, December 31, 2009

A Rogue's Gallery

We’ve been fans of Ricky Jay since he played the cameraperson in Boogie Nights, one of my all-time favorite movies. Since then he’s appeared in David Mamet’s Heist and numerous other movies, the HBO series Deadwood, and was a recently revealed clue to the mystery behind the current TV show FlashForward. But he is probably best known for being a master sleight-of-hand artist as well as scholar and collector of curiosities.

Several years ago we saw Ricky speak at the UCLA library, where he described his fascination for all things unusual and deceptive: e.g., 19th century automatons, carnival folk, notorious card sharps, and illusionists. A few years later, we bought front-row tickets for Ricky Jay and His 52 Assistants, an intimate show where he performed the most amazing card tricks either of us had ever seen. We talked about it for weeks.

On Tuesday, we attended the opening night of A Rogue’s Gallery, Ricky Jay’s latest show. The performance was hugely engaging, even though we were seated in the very last row of the balcony (comp tickets for making a donation to the Geffen Playhouse’s education fund). In addition to his usual card tricks and fetes of mental magic, Ricky projected images of 108 posters, playbills, and other paper items—a mere fraction of the marvelous ephemera he has collected—which then led to amusing tales of sword-swallowing women, lion-tamers, and other interesting characters. All in all, a highly entertaining evening.

A Rogue’s Gallery is playing at the Geffen till January 10. Go see it if you like parlor tricks and/or good ol’ fashioned storytelling.

Thursday, July 02, 2009

Farragut North



Although L.A. is primarily known as the film capital of the world, it’s also home to several renowned theatrical venues. The Mark Taper Forum, Geffen Playhouse, and Pantages and Ahmanson theaters have all hosted—and sometimes even premiered—world-class productions of comedies, dramatic plays and musicals. Plus there’s usually at least one movie or TV star in the cast, always adding to the excitement of the performance.

Farragut North opened last week at the Geffen to rave reviews. Not only was the topic of the play—the behind-the-scenes political machinations of a fictional Democratic presidential campaign—right up my alley, but the cast was stellar: Isiah Whitlock, Jr., who played the corrupt senator on HBO’s The Wire, Olivia Thirlby, the best friend in Juno, Chris Noth, Sex and the City’s Mr. Big, and Chris Pine, Captain Kirk in the new Star Trek movie. As soon as I read the L.A. Times review, I went online and ordered a ticket for the Saturday matinee. My seat wasn’t ideal (way over to the left), but I was happy nonetheless as that day's performance ended up selling out.

Now I’ve followed politics for many years and have seen just about every movie made about presidential campaigns, so I wasn’t surprised at all by what happens in the play: the wunderkind political strategist decides to put his own ambitions above those of the campaign. But I was pleasantly surprised by the cast’s caliber of acting. Thirlby was good as the liberated young intern who’s attracted to powerful men and Noth was excellent as the aging politico. It was Pine, though, who stole the show, playing Noth’s fearless up-and-coming protégé. Since I've only seen him in Star Trek, all I can say is that he takes the confidence of Captain Kirk and redirects it into a much darker place, resulting, of course, in the downfall of at least one character. His performance was so engrossing that the audience loudly gasped a couple of times at his underhandedness, something I’ve never experienced in live theater before.

The play is on till July 26. I highly recommend seeing it if you’re in the neighborhood and want to see some really good L.A. theater.